Andru Branch & Halfway Tree are nominated for “Group of the Year” at the upcoming Reggae North Music Awards, being held at The Rose Theatre in Brampton on September 27th.

Grateful for another summer filled with concerts, including this one at Nova Scotia's Evergreen Theatre, Halfway Tree is heading to Ontario to perform at London Reggae Fest on Saturday, September 19th, a free event taking place at Covent Gardens in downtown London.

But first, we are returning to our roots on Queen Street West in Toronto to celebrate the band’s 30th Anniversary at The Rivoli this Friday, September 18th with Reggaddiction and DJ Friendlyness.

Chris “Friendly” Hatton (far right) and I became close friends in the early 90s, spending countless hours reading the Bible, smoking ganja and reasoning about Rastafari. He was already a great DJ, performing alongside Whitey Don with their aptly named group “Culture Shock”, while I was cutting my teeth with a four piece reggae band called “Rockstone”, featuring singer/songwriter Carlton Dinnall and our dearly departed bandmates Raffa Dean and Derrick “Jah D” Lambert. Friendly had honed his skills on bass with a group called “Jah Youth”, so I recruited him to be the foundation bass player for my new roots reggae group “Halfway Tree” in 1995. Of all the legendary reggae bass players I have had the great fortune to play and record with, Friendly’s creativity, tone and feel stands with the best of them. Friendlyness and I have been each other’s touchstones for more than 30 years, celebrating one another’s milestones and decrying the tribulations of the music industry. As an artist and as a founding partner of Toronto sound system “Super Heavy Reggae”, Friendly has always had his finger on the pulse of conscious reggae music. Reggae fans will not want to miss DJ Friendlyness as he spins some of the best reggae music on the planet this weekend.

Our first gigs were at Toronto’s legendary Bamboo Club, just a few doors down from The Rivoli, where we became a regular attraction alongside Messenjah, The Satellites and Leroy Sibbles.

If you are in the Greater Toronto Area, come and celebrate our 30th Anniversary on Friday with Reggaddiction and DJ Friendlyness. Please come and say hi. We’d Love to see you!

https://www.eventbrite.ca/e/rub-a-dub-at-the-rivoli-andru-branch-halfway-tree-and-reggaddiction-tickets-1996372897076

With gratitude for your continued support over these 30 years ~ Andru Branch & Halfway Tree

Powerful wind shakes the house as white-capped waves pound relentlessly against the shore. I give thanks for a moment of quiet reflection. Perilous times try our patience, exacerbating universal anxiety. Humankind, in all its wisdom, is clever enough to circle the moon but somehow lacks incentive to prevent our own demise as a result of climate change.

This was preventable but it seems we value money more than the opinions of mad scientists. Instead we thrust self-serving mad men into power, who rob from the very people they are meant to serve and protect. We have the power to thrive but instead we hand the keys over to the least qualified to drive. It's a position most sane people don't aspire to. 

I have never abandoned my teachers, like Winston Rodney, who chants “teach me, teach me, teach me, teacher”. Artists like Frankie Paul remind me to “Keep The Faith”, while bands such as Third World, Steel Pulse and Toots and the Maytals prompt tough questions like “Who shall save the human race”? 

Some argue that we are destined to perpetuate eternal conflict as a result of “human nature”; that humans “have always been this way”; intolerant of our differences.

We are mired in economically motivated warfare, resulting from systemic racism, sexism, homophobia and corporate greed. It is apparent that the patriarchy is marked by fear of other-ness, of those who do not look or sound like the so-called “ruling class”. It is painfully disparaging to watch people suffering; to observe the “haves” steal the lives of the “have nots”, at their own discretion. How do these murderous war mongers sleep at night, under the guise of “liberating the people”? The repressive socio-economic divide can only be healed by removing the bad apples from the bushel, before rot spreads throughout. 

These are the times in which we live. The oligarchs hoard wealth at alarming rates to the detriment of citizens' health and welfare, as if wealth will somehow save them from their own demise. 

We the people of the World have had enough. It is time to topple the patriarchy. Once the wealthy pay their taxes the hungry will be fed, the homeless will be housed and healthcare will be universal.

Keep the faith. We are our brothers' and sisters' keepers and it is our collective responsibility to fight the power, side by each, until equity is achieved. 

Stay tuned. A new album is in production, filled with inspiration to persevere. Guidance and protection until such time ~ Andru Branch & Halfway Tree

Among the challenges that come with getting older is that our elders continue to grow older too. With each revolution around the sun there is more likelihood that we will lose another dear friend who has had some profound influence on us as individuals. One such inspiration was legendary keyboard player Bernie Pitters, who passed away yesterday due to complications from a long battle with diabetes. “Bernie P” was like a Godfather to the reggae music fraternity in Canada. A cornerstone of Toronto’s Livestock and Hit Squad bands, who backed up virtually every major Jamaican artist to appear in the city, I used to marvel at Bernie’s unique style and unparalleled showmanship as a teenager, wondering “how can this cat be so cool”?! His stage presence was truly a spectacle to behold. I went on to embrace Bernie’s guidance and tutelage as a young adult, and I was both thrilled and honoured when Bernie P began sitting in with my group Halfway Tree in the late 90s, in Toronto and also when I moved to Halifax in the 2000s.   

Bernie was a true heavyweight when it came to playing rub a dub music. Renowned Jamaican studio engineer, producer and musician Stephen Stewart explained to me once that he and Bernie used to race to their high school piano at lunch hour to see who could get to the piano bench first to impress the girls on their lunch break. Building on what he learned studying with legendary Jamaican keyboardist Jackie Mittoo after moving to Toronto in the 70s, Bernie developed a unique creative style as he “bubbled" and “shuffled” alongside Garry Lowe on bass, Tony Campbell on guitar and Tony “Raffa Dean” White on drums, all of whom have passed on to the other side.

After years of playing professionally, the hard core musician’s lifestyle began to take a toll on Bernie, and he developed severe diabetes, claiming both his sight and eventually a foot. I was honoured to have been able to offer Bernie nutritional guidance after graduating from holistic nutrition school in 2011, but of course diabetes can take a dreadful toll, as it did yesterday.

Bernie will leave an indelible mark in the hearts of those who had the great fortune to know him and his music will live on in the countless recordings he has blessed us with. While it may sound like a cliche to some, Bernie’s enthusiastic way of saying “ya mon” will ring in my ears itinually, as will his soft tone when he loved how something sounded: “wic-ked”! It is with profound Love for his strong, gentle and kind soul and with deep gratitude that I say goodbye to this dear friend and life-long mentor who will continue to live on in I & I music.

“It brings great joy to share such sweet togetherness.” ~ Bob Marley

We are grateful and humbled by this response to Halfway Tree's performance at this year's 60th anniversary of Jamaican Independence in Nova Scotia: "Your performance was exceptionally joyful and invigorating. The wonderful energy of your musical talents inspired and encouraged our spirits, our hearts and our minds. You gave our hearts wings to soar to new heights above the challenges of life, letting us feel joy and gratitude once more." ~ Jamaican Canadian Association of Nova Scotia

Some people come into your life when you least expect it, and like a partner or a best friend, you could never have imagined that they would have such a profound and lasting influence on your life. For the past 25 years, nearly half my lifetime, one such person was Franciso "Alvin 'Seeco' Patterson" Willie. 

Niels Peter Blake offered me my first recording contract at Kingston Muzik Studio on Garden Boulevard back in 1996. Little did I know that The Wailers' legendary percussionist lived only a few doors down the street.

I started studying music at an early age, first recorder, then saxophone and piano, but it was through listening to Seeco's creative and innovative style that I developed a profound love of playing percussion. I never dreamt that I would eventually play alongside one of my heroes, exchanging licks in his signature question and answer style. It goes without saying that Seeco's percussion will live forever in Bob Marley & The Wailers' music, but it is especially dear to me that his playing will live eternally on my first two albums. 

But our connection grew deeper than this. Over the course of 25 years, Seeco always welcomed me into his home, where we laughed and joked and shared in each others' joys and sorrows. He was always ready to watch a football match, but equally ready to pick me up when I was feeling discouraged. His family will attest to his faisty side, but all the while he was a kind and loving soul. Soft, yet strong, he was a true bredren who, like a grandfather, became like family to me. 

Beloved Seeco - the countless hours spent with you have brought some of the greatest joys of my life, and it is truly an honour and a privilege to call you my friend. I Love you and I am eternally grateful for the warmth and generosity of spirit you shared with us all. Rest now in eternal Power.

John Parker, guitarist/producer: Combining technical ability with style, John is a consummate professional guitarist. With over 20 years of touring experience, Parker has been managing Halifax’s Long & McQuade for 12 years, where he offers a working knowledge of the latest gear and technical expertise in both live and studio recording. In addition to recording, mixing and mastering projects for dozens of Atlantic Canadian artists including Dave Gunning and Rose Vaughan, John has been co-producing alongside Andru Branch for over a decade, while playing lead guitar with their band Halfway Tree. Photo by Kevin Prinoski.

Exclaim! Magazine has published complimentary reviews of my work over the years, but it is validating to know that one of my first ever recorded songs has been named one of "Canada's Essential Reggae Tracks". "Keep On Keepin' On" embodies what it takes to persevere as an artist, and is an attestation to the concept of "less is more". I draw on many years of studying music from an orchestral perspective, and I take pride in the sometimes elaborate polyphony of my arrangements. Two and three part horn sections adorn most of my songs, but this track is sparse and I only employed three other musicians, to play drums and guitars. The simple melody repeats: "You've got to deal with Love", which is straight to the point, and the theme of all of my work. This song was the first cut on my "demo tape" back in 1995, which was picked up by Kingston Muzik in 1996, and kicked off my Juno-nominated debut album What If I Told You, released in 1998. My humble gratitude to Exclaim! Magazine for your continued support. Respect due to all my mentors over the years, too many to mention, but my eternal Love lives on for Raffa Dean and Jah D with thanks for lifting up this track with your skilled musicianship. Now I must return to the studio to continue the work in these turbulent times. Keep On Keepin' On my people ~ Andru 

Drums: Tony “Raffa Dean” White 
Lead guitar: Ras Kawintseb Sellassie 
Rhythm guitar: Derrick “Jah D” Lambert 
Vocals, keyboards and percussion: Andru Branch 

Recorded at Number 9 Sound, Toronto, Ontario, Canada.

Engineered by Jim Zolis and Terrance Lee.

Mixed by Paul Hussey and Otto Lee Wilson at Kingston Muzik Studio, Jamaica.

Mastered by Noah Mintz.

Produced by Andru Branch.

As we continue to celebrate the 25th Anniversary of our band Halfway Tree since its creation in 1995, we wish to thank you for your continued support. 2020 has been tumultuous year, but we are doing our best to keep releasing new music and putting out positive vibrations. 

Please accept our brand new single “Power To The People” as our gift to you, our fans, in hopes that it may provide some inspiration leading up to the US election. The song is a reminder that the outcome of the presidential election will have resounding socio-economic effects far beyond the US borders. Recorded, mixed and mastered within 24 hours at our home studio in Halifax, Nova Scotia, Andru Branch & Halfway Tree continue to advocate for equal rights and social justice. These are turbulent times but fortunately we have music to soothe the soul. We invite you to visit our website, where you can hear music, see videos, read our story and download music. Watch the video: https://youtu.be/EHkDbT6M27c

There are many important movements that have led us to this day, not the least of which was the Suffragette Movement, in which women fought the patriarchy and won the right to vote. If you are an American citizen, please exercise your right to vote. This is a crucial time in history/herstory. The future of the United States and indeed the political-socio-economic landscape of the world is in peril. Please do what you can with what you have to affect positive change. We depend on you just as we depend on each other. Out of many, we are one people. The planet we share is in a vulnerable position right now, but we have faith that better will come. The only constant in life is change, after all.

One Universal Love ~ Andru Branch & Halfway Tree

Andru Branch & Halfway Tree, shot at the Halifax Public Gardens by Veronica Gutierrez in the fall of 2019. From left to right are Seth Voliere (guitar), James Shaw (saxophone), Andrew Brown (bass), Andru Branch (vocals, keyboards and percussion), Ibiko Pelle (drums), Johnny Parker (guitar) and Andrew Jackson (trombone). 

It has been such an honour and such a joy to play with these wonderful and talented musicians. We began rehearsing with this lovely young drummer from Antigua, who was studying at Saint Mary's University. He truly lifted up the sound of the band with his super steady groove. We rehearsed a powerful new set of material in preparation for this summer's festival gigs. Enter the pandemic. Slowly but surely, each gig was cancelled, including Halifax's annual Reggae Splash, which we look forward to every year. The day before the gig our beloved 'new' drummer Ibiko boarded a plane to Antigua, to shelter in place with his family. This was hard to take, after rehearsing a show for six months that we never got to perform. However, Ibiko laid down three awesome tracks while he was here with us, two of which are nearing completion, and the third is a work in progress. Please stay tuned as we are super excited to share the new music with you. Join our mailing list to get the latest updates. In the mean time stay safe, listen to some music, watch some videos and play your part to end racism so that we can create a brighter future. 

Thank you for your unwavering support over the past 25 years. Our 25th Anniversary album 'The Singles' is available here. Whether you are a new or long time fan, you are so important to us and we are very grateful. Please continue to share I & I music with your friends and loved ones. One Universal Love ~ Andru Branch & Halfway Tree

Andru Branch & Halfway Tree are joined by the lovely Jhamiela Smith-Dunn and Kristine Kovacevik on the Halifax Common for the annual Jamaican Independence Day celebration in 2018. Pictured here, from left to right, are Jhamiela Smith-Dunn (vocals), Andrew Brown (bass), Myles Cornish (trumpet), Teddy Skiffington (drums), Johnny Parker (guitar), Andru Branch (vocals, keyboards and percussion), Andrew Jackson (trombone) and Kristine Kovacevik (vocals).

My lifelong friend Tomaz Jardim introduced me to Earl "Chinna" Smith in 1996, back when we were recording my debut album at Kingston Muzik Studio. Chinna leant his formidable talent to two songs on the album and has welcomed me to his home ever since. His front porch, affectionately known as "Inna De Yard", is a cultural hub that attracts all walks of life from all around the globe, as long as it is in the name of music. Anything else is "fuckery", for which Chinna has little tolerance. I always ensure to bring our mutual friend Seeco down to this mecca at St. Andrew Park for a visit. One of my fondest memories was of a reunion of sorts, where I carried Studio One "bassie" Brian Atkinson down to see Chinna, to great fanfare. The humble Studio One bass player was received with due reverence for his massive contribution to the foundation of reggae music. Joined by several of the many musicians who are present Inna De Yard on any given day, we jammed a whole back catalogue of early reggae hits from back in the day, well into the night.

It was there, Inna De Yard, where I met Chinna's daughter Jhamiela for the first time. She carried herself like an Empress; smooth and confident. Neither of us could have foreseen at the time that we would go on to play together in Canada. I started seeing her around Halifax, on the arm of a skinny, white rocker named Adrian Dunn. From a musical family in Cape Breton, Adrian and Jhamiela eventually got married and formed a reggae outfit she dubbed Jah'Mila. It was a welcome opportunity for me to play my beloved percussion instruments when she invited me to join her group of premiere reggae musicians from around the city, including bass player Alec Frith and saxophonist Sean Weber, who both played with Halfway Tree somewhere along the way. Jah'Mila's growing fanbase has embraced her for her sweet yet commanding vocal prowess, much like her personality. It brings me great joy to support her and to share our musical journey together, contributing to the spiritual upliftment that reggae music brings everywhere it resounds.